Art gallery and performance space in Bradford (UK) hosting exhibitions, concerts, film screenings and other events.

An Evening of Silence with Chris Watson


We are extremely excited to announce that on the 28th January 2015 we will host “An evening of Silence with Chris Watson”, during which Chris will share uncut recordings made for the film “Silence”, discuss his work on the movie with Touch chief Mike Harding, before screening the feature film.

Chris Watson is one of the world’s leading recorders of wildlife and natural phenomena. For example, the unearthly groaning of ice in an Icelandic glacier is a classic example of, in Watson’s words, putting a microphone where you can’t put your ears. He was born in Sheffield where he attended Rowlinson School and Stannington College (now part of Sheffield College). In 1971 he was a founding member of the influential Sheffield-based experimental music group Cabaret Voltaire. His sound recording career began in 1981 when he joined Tyne Tees Television. Since then he has developed a particular and passionate interest in recording the wildlife sounds of animals, habitats and atmospheres from around the world. As a freelance recordist for film, tv & radio, Chris Watson specialises in natural history and documentary location sound together with track assembly and sound design in post production.

Chris’s television work includes many programmes in the David Attenborough ‘Life’ series including ‘The Life of Birds’ which won a BAFTA Award for ‘Best Factual Sound’ in 1996. More recently Watson was the location sound recordist with David Attenborough on the BBC’s series ‘Frozen Planet’ which won a BAFTA Award for ‘Best Factual Sound’ (2012). Watson has recorded and featured in many BBC Radio productions including; ‘The Ice Mountain, ‘The Reed Bed’, ‘Jules Verne’s Volcano’, ‘The Ditch’, ‘The Listeners’ and ‘The Wire’ which won him the Broadcasting Press Guild’s Broadcaster of The Year Award (2012).

“Silence” follows Eoghan, a sound recordist who is returning to Ireland for the first time in 15 years. The reason for his return is a job offer: to record landscapes free from man-made sound. His quest takes him to remote terrain, away from towns and villages. Throughout his journey, he is drawn into a series of encounters and conversations which gradually divert his attention towards a more intangible silence, one that is bound up with the sounds of the life he had left behind.

“Gently mesmeric, seductively mournful, surprising and unquiet meditation on man, memory and landscape” (Time Out)